The metropolis of Messolonghi marked the 200th day of its historical Exodus with ceremonies defined by solemnity, symbolism and a almighty consciousness of corporate memory.
Over three days of events culminating connected Palm Sunday, state, spiritual and governmental leaders joined crowds lining the streets for a expansive parade led by evzones, students, folklore groups and philharmonic ensembles from crossed Greece.
A banner reading, “Exodus into the Light,” emerged arsenic the emblematic message, evoking sacrifice, state and nationalist becoming.
Art took connected ceremonial weight arsenic well: France lent Delacroix’s “Greece connected the Ruins of Missolonghi,” while Vryzakis’ iconic “The Exodus of Messolonghi,” near the National Gallery to beryllium carried done the metropolis similar a ineffable relic. A young antheral portraying Lord Byron besides marched, linking past and present.

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